FILM #3 - ENTER THE DRAGON (1973)
Dir: Robert Clouse
Starring: Bruce Lee, Jim Kelly, John Saxon
Very few people have been enshrined into our culture like Bruce Lee. I didn’t really notice until after I finished watching ‘Enter The Dragon’ that it was 40 years this week since his untimely death. What’s stranger is that only a few weeks ago, his co-star Jim Kelly passed away. It seems like the timing was right to be watching this movie for the first time.
Arguably the greatest Kung Fu film ever made, or at least the most popular, ‘Enter The Dragon’ is Bruce Lee’s swan song. This flick is easily one of the best I’ve ever seen. It is absolutely flawless. But this film could easily fit into the 'blaxploitation' genre that emerged in the seventies. Clearly not of that exact genre, it is the eastern counterpart of films like 'Coffy', 'Shaft' and 'Black Dynamite'. The films soundtrack has a big part to play in that cross over.
What is most apparent in this film though, is Lee’s athleticism. Here is a man who devoted his entire life to keeping fit and learning new martial art techniques, as well as inventing his own style called ‘Jeet Kune Do’.
Bruce Lee, although he only made a handful of feature length films, brought Eastern values, eastern culture and philosophy to Hollywood. The things he achieved in such a short time has rippled out through the decades and arguably made stars of people like Jet Li and Jackie Chan (who by the way was in ‘Enter The Dragon’ along side Lee).
It’s not difficult to give this film ten out of ten. This isn’t just because it’s a well made film, but because of the star it made of Bruce Lee and the impact he himself and the film had on western culture. You don’t have to look far to see that this film in particular has inspired generations of film makers and actors.
Lee passed away only weeks before the films premiere. Made on a shoe string of only $850,000, the film grossed over $200 million worldwide and cemented itself as one of the greatest films of all time. In 2004, it was deemed “culturally, historically, or aesthetically significant” by the Library of Congress and was selected for preservation by the United States National Film Registry.
RATING 10/10